The tresillo proportion (3+3+2) counted in sixteenths, so it repeats twice per bar: x..x..x. x..x..x. This is how funk, samba, baião, dancehall and modern pop usually carry the tresillo, at a slower count. A 3-3-2 hi-hat accent, a baião bass, a "Shape of You"-style synth and a dembow snare are all this cell. The dotted-eighth / dotted-eighth / eighth grouping pulls against the quarter-note pulse and resolves on beat 3.
3-3-2
96 bpmloop · 1 bar
16ths
Clave
Piano
Found in
6 patterns are built on the 3-3-2.